Wednesday, 29 September 2010

Great Price for $18.88

THE MASCULINE MYSTERIES and The Quest for the WHINESS: A Synchronicity Workbook Review






THE MASCULINE MYSTERIES and The Quest for the WHINESS: A Synchronicity Workbook Feature


  • ISBN13: 9781425935603
  • Condition: USED - Very Good
  • Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed



THE MASCULINE MYSTERIES and The Quest for the WHINESS: A Synchronicity Workbook Overview


THE MASCULINE QUEST FOR THE WHITENESS The telestic nature of the Masculine Mysteries served as the medium for The Whiteness which, in its generality, points directly to a representation of Death and the masculine drive to achieve union of the Self at the last stop in life: the divine after-life unity otherwise known as God or Allah, or, as Jung psychologically paraphrased it, the Unus Mundus . For Freud this unity was called Eros, as simply "life drive," in his distinction between Eros and Thanatos. For Jung it included the Unus Mundus as final and everlasting Oneness. For Goethe it was perhaps a return to the All and which, of course, is no-place at all, i.e., u-topos. For Herman Melville it was expressed through his Capt. Ahab who was joined in final unity with the great white whale. Today we may recognize as much in the suicidal martyr. In all cases the quest for The Whiteness expressed a haste to prematurely achieve final perfection. Such drives, for the most part were, at least typically, fit for men except for its feminine demeanor exemplified by the animus of the feminine psychology, a woman's inner and largely unconscious "maleness." In all cases, the color of all color and exclusively male quest for Final Perfection I must treat with regard to its form as only inferentially metaphysical and theological. But the content in fact addressed what Jung referred to as the imago dei: God as the psychological rather than the metaphysical Self. From this less than theological standpoint the Deity, as Melville noted in his Moby Dick, was concealed beneath the veil of Whiteness. . The above polarities I have generalized as The Whiteness, the heroic masculine thanatic trieb (death instinct) and The Blackness as Eros and the creative feminine proclivity for "life" and endopsychic perception. In the first part of this work, however, I start out with a more naive and narrative approach. I then move on to more complex metapsychological speculations and not


Related Products




Update Post: Sep 30, 2010 01:10:12

Tuesday, 28 September 2010

Out From the Shadows - Cronework For the New Millennium

She cackles and crows, her sounds call to me. Sounds that vibrate within. I feel a quickening that pierces my soles, moves up from my toes, through my spine into my pelvis. I am a cauldron of fire, the vapors spreading within. I am moved to dance, to swirl. As I turn in a dervish of sacred dance, I look to the mirror. Looking back is the image of an old, old woman. She stares at me, through me and back again. Her dark eyes tell me that my time is coming. "Prepare yourself!" I almost hear her say. I am startled. Then, as quietly and mysteriously as she appeared, she is gone. This old, old one--the Crone-- is a harbinger of what is yet to come.

A decade later she comes to me again. This time I invoke her, call her to me on this special occasion. Incense wafting, curling up my nose. I inhale deeply, lifted to another state of being. Candles flicker and the procession moves toward me. It is the celebration of my 50th year and my initiation into the last phase of womanhood.

The women enter the sacred temple, created out of my transformed workspace, each carrying a candle denoting the bearer's phase of womanhood. White is symbolic of the premenstrual, virgin-maiden; menstrual red the procreative, mother-adult woman, and black for the postmenopausal, crone-elder. The circle forms, revisited over the millennia. Introducing myself as the daughter of Adelaide and the granddaughter of Sara, we each say the names of our maternal Mother and Grandmother, re-connecting to our personal and collective matrilineal ancestry.

This is not an isolated incident. Mass Croneings are taking place from Coast to Coast. Women come forth, in similar circles, proclaiming their Cronehood, one after another. This is no witches' coven; no black magic is conjured up. It is a time of reverence for a major transition. And this elevated state is no longer limited to women over 70; now "Baby Crones" are being initiated as they turn 50 or so.

As the wave of female Baby Boomers edges further into midlife, they are at first grasping, then demanding, that patriarchal definitions of an older woman be redefined. They are not satisfied with the traditional dictionary definition of a Crone as withered old woman, a beast-hag creature. This is, indeed, a term of abuse! Now, many women are reaching back in history to claim a lost female identity that views women in a positive light. Mythological defined, she is the Wise One, the one who knows. Personified in myth by Hecate, Medusa, and Kali Ma she carries the darker mysteries. As La Lobe and Sophia she represents Mother of all. Whatever persona she embodies, she is our midwife into life, death and rebirth mysteries. She is both the creatrix and destroyer of life.

In my search for the elusive phantom-like Crone of the mirror, I have come to find that Cronehood is not limited by chronological age, but is rather a summation of feminine life experience. The onset of midlife accelerates the emergence of this aspect of womanhood. Menopause may be the initiatory bridge into Crone time.

In the olden times, the Crone represented the post-menopausal time of a women's life. It was believed that women became very wise when they no longer shed the lunar wise blood, but kept it within. Perhaps now, as then, it is these women who will serve to midwife us into this last phase of life's journey. Ultimately, the taking on of the mantle of Crone is a sign of a personal transformation of great magnitude created from each woman's soul journey.

The symbol of the old woman is the most widespread archetypal personification in the world. In fairytales, she is portrayed as an old hag witch, as in Hansel and Gretel or as the kindly wise archangel, as portrayed by Cinderella's Fairy Godmother. In our culture the image of the powerful child-eating witch is conjured up when referring to an older woman's power. The innate fear around this power is residual from the burning times. As Jung pointed out, when the figure of the Virgin Mary became most important, society was cut off from the Great Mother's shadowy destructive side, and then the witch burnings took place. All that was denied and repressed was projected onto women, especially those older women who lived their womanpower as healers, midwives, teachers and guides.

The more kindly version of the Crone has kept us jailed in the invisible background. Banding together to reclaim both aspects of the Crone, women are beginning to mobilize for change. It is this shadow aspect that Hecate of Greek mythology carries. She is the third aspect of the Triple Goddess and is most well-known as Goddess of the Crossroads. She guides us as we come to choice points on our life journey and she acts as midwife for our life, death and rebirth. In the story of Persephone, the abducted daughter of Demeter, Hecate is the one who accompanies the virgin-maiden when she returns each year from the underworld.

If Cronehood has no proscribed steps and is not suddenly conferred based on age or ritual, then what does it hold for us as maturing women and as a society undergoing great chaos? As a symbolic summation of feminine life experience, the Crone may be more a state of being than a time of life or specific age. True Cronehood may be bestowed on those women who serve as our teachers, healers and guides to our inner spiritual terrain. And, as we move towards our individual and collective crossroads, they are the wise ones who guard the vision for the future of our children and our planet.

The work of the Crone today is not very different than that of our historic mythological role models. Cronework can unfold in many different ways. What remains the same over the millennia is that Crones are motivators and activators bringing forth life affirming moral wisdom. Rooted in tradition and values passed on generation to generation, they are the ultimate truth tellers.

As guides bearing the light of truth on our inner dimensions and as midwifes to death's door, these wise ones have learned to tend the fire in their own bellies. They are moved to their Soul work in answer to the Old One's cackle and caw at major crossroads in their own lives.




©1988-2009 Karen Sands/Future Works Institute, Ltd. Future Works® is the registered trademark of Future Works Institute, Ltd. Karen Sands, MCC: Your Ultimate Guide to the Future, Master Coach, Professional Futurist, Career & Midlife Expert for People Ready to Change Their World & the Future, Speaker & Author. Sign up for your free monthly ezine, "Future Works® Gazette". Learn more about tools for positively transforming yourself and the world, visit http://www.FutureWorksInstitute.com. Join Karen on Twitter, LinkedIn & Facebook.

Monday, 27 September 2010

Journey to the Underworld

LA project for greek myths

Sunday, 26 September 2010

Planetary Factors In The Horoscope

The planets in our solar system are Mercury, Venus, Mars, Jupiter, Saturn, Uranus, Neptune and Pluto. For the purpose of our study of influences, both the Sun and the Moon are included and are referred to as planets or heavenly bodies that take their place in the chart.

Our Earth is placed between Venus and Mars regarding the distance from the Sun. In Astrology it is not classed as a defined planet as it is our home planet and the focus of our studies. It could be said that the dot in the centre of the chart represents our little earth and further, our little self!

From the point of view of astrology, each planet represents certain powerful energies that beam out into the solar system and to which we humans on earth respond. These responses alter according to the ever changing movements of the planets, including those of our earth, and in accordance with the altering relationships between them. The astronomically determined positions of the planets at the time of our birth are duly recorded and given their placement in our astrological chart. Planets placed above the horizon tend to indicate positive worldly interests and power. Planets beneath indicate the quiet achievers - those who choose to, or those destined to pass through life without worldly acknowledgment.

The different angles and relationships between the energies affecting earth however, are complex and include trines, oppositions and conjunctions. These have been studied and recorded over thousands of years and although basic factors are well known regarding the likely affect upon us we need skilled interpretation by an experienced astrologer.

The following is a simple insight into the symbolism of each of the planets.

The Sun - represents our spiritual being and defines the special inner talents and inclinations that we have uppermost in our nature. This is why our Sun Sign is so powerful an influence in our lives and reflects qualities that are likely to be constant. It represents the masculine principle and is a factor used in interpreting relationships. It is a symbol of status, power, good fortune, generosity, happiness and well being.

The Moon - is symbolic of our ever growing pathway to maturity. Because the moon itself fluctuates in its cyclic journey that we perceive from new moon to full and appears in changing form it represents the feminine principle. It rules our emotions and with women is additionally apparent in their physiological menstrual. The Moon is a symbol of creativity, gestation, and the caring, nurturing and emotional factor in life.

Mercury - is symbolic of the mind and intellect. The subconscious functions of the mind are associated with the Moon and the entirely conscious thoughts are linked to the Sun. Thought can be depressed or can fly free and it is the Greek god Mercury, the messenger depicted as communicating between heaven and earth that represents our choices in utilizing both concentration and imagination. Where Mercury appears in our chart gives indication of our particular uses and talents of our mind.

Venus - is symbolic of love. We are aware of this even in everyday life when it is used to refer to human love and romantic relationships. It represents both our inner harmony and love capacity of our nature, and the circumstances in which we experience pleasant beautiful life lessons and good luck.

Mars - is the heroic symbol of war and the protector of Venus and all positive aspects of culture and value. It is associated with all outgoing energy and obviously with the masculine principle and action part of human nature. It indicates courage, enthusiasm and will and our degree of intensity of feeling and passion.

Jupiter - is symbolic of beneficence, generosity and wealth on a grand scale. It shows when our life seems 'easy' without struggle, poverty, or lack of confidence. Its positive effect help us to expand and to hold all-inclusive attitudes. It indicates our powers of leadership and inner achievements.

Saturn - is symbolic of restriction and contraction. It helps us consolidate to find our inner intuition and wisdom before wasting energy. It reaches us caution and reminds us of the law of Karma and the need to obey natural laws. In our chart often is an indication of our power to overcome what may seem difficulties but that are lessons, once learned, give us passport to greater understanding of life.

Uranus - is venturing further from the other planets and its influence is such that tends to arouse new awareness of the need for progress both in our own nature and externally by stimulating new thought and adventure into space. It certainly makes its presence felt by our human adventures into the Space Age. However, in our personal lives it can be interpreted as unconventionality - our exploration into the unknown and our inner conviction 'to do it my way' in asserting our individuality.

Neptune - is symbolic of vast, and more nebulous spheres of consciousness, as it is
known to us as a remote, impersonal planet. It affects human emotions by encouraging the vague part of our mystical nature, beyond the rational. It is difficult to define, but in our charts cautions us against extremes and promises of rosier futures. It inclines one to take stimulants, to daydream, to suffer exploitation or deception and to suffer from uncoordinated aspects of our emotions.

Pluto - is way out there in the solar system and almost seems beyond the influence of the parent Sun. Little is known about its influence on our lives as its discovery has been so recent. However, although thought to be rather negative in our lives, it has been determined as a factor in great amalgamations and powerful unions of interests. Bearing in mind that it is often seen to be similar to the Greek god Pluto, governor of the underworld, involved in death and destruction, we know that we have yet to discover its other qualities.




Astrology and Astronomy are closely related in that the latter observes the heavenly bodies and the first interprets their influences upon the human nature and life on our planet. The third science that so well should be part of the trio is that of Psychology. The three in concert provide a solid basis for strengthening the link between the material and heavenly worlds with the third detailing the causes of the behavioural nature of the human psyche and its responses to the invisible weather of forces we cannot choose to ignore. Invisible energies are as real as other energies we have explored and utilize.

Astrological knowledge if added to present day psychology would make self understanding easier, and encourage us to have greater tolerance and understanding of others. We need to look beyond the body and personality, to the unique characteristics and qualities of the individual soul.

We need assistance to unveil the special talents of each of us so we will be free and confident to offer our contribution to the world. Astrology is such an aid.

Saturday, 25 September 2010

Manna Fest 460 - Mysteries of Paradise 2 of 3 (After Life Heaven Hell)

What is Heaven like? Who will be there? What will it look like? What will we do? In this second installment of the series "Journey to the Underworld" Perry Stone interviews Bishop Curtis "Earthquake" Kelley who shares about a near death experience and his glimpse into paradise. www.earthquakek...

Friday, 24 September 2010

Great Price for $19.95

Find Your True Self Through Your Fantasies and Dreams Review




Dreams and fantasy are not held back by concern of being mocked. "Find Your True Self Through Your Fantasies and Dreams" is a spiritual exploration manual to finding one's true desires by understanding fantasies and dreams that people experience daily as their mind goes on autopilot. Consciously being aware of these are rare, and author Olavi Moilanen gives method to understanding the unconscious desire. "Find Your True Self Through Your Fantasies and Dreams" is intriguing and highly recommended reading.





Related Products




Update Post: Sep 25, 2010 00:10:41

Thursday, 23 September 2010

3 arrested over Tony Mokbel's escape plot from Australia

June 5th 2008 Channel 9 news Escapee drug boss Tony Mokbel was smuggled out of Australia on a private yacht in an elaborate plot orchestrated by at least three associates, police say. Details of the daring 2006 escape have emerged as Melbourne's gangland detectives today closed the net on three people alleged to have helped Australia's most wanted man flee. "We're going to allege that these people assisted Mr Mokbel in certain ways to get him out of the country," Detective Inspector Bernie Edwards of the Purana Taskforce told ABC Radio. Mokbel was recaptured in Athens in June last year and extradited to Australia last month. Detective Inspector Edwards said the boat sailed from Sydney to Newcastle Harbour. "A few modifications were made on the boat, then the boat was transported by heavy haulage across the country to Fremantle harbour [in Western Australia]," he said. "The boat was sailed up to Geraldton and then across the Indian Ocean through the Suez Canal and eventually landing in Greece." Detective Inspector Edwards said Mokbel left Australian shores on November 11, 2006, arriving in Greece on Christmas Eve. Three people were arrested in Melbourne today over their alleged involvement in the escape following dawn raids in Burnside and Reservoir. Police allege Mokbel spent about six months hiding at an associate's modest country property at Bonnie Doon, near Eildon, Victoria, before he was moved to Western Australia. A man and two women are alleged to have helped ...

Wednesday, 22 September 2010

Great Price for

Greek Religion: A Sourcebook Review




This book was required for an Ancient Greek Religion course I am taking. Easy to access and read. Author has own opinion on meaning of ancient test, as do most in the field.





Related Products




Update Post: Sep 22, 2010 22:50:17

Tuesday, 21 September 2010

The Last Drive-Alabama Blues (JB Lenoir)

Legendary garage band from Greece.LP Heavy Liquid(2009)by Happy Crasher Records.Personal opinion is that this album is really a great job Meta apo tosa xronia synexizoun na einai simeio anaforas stin Elliniki Rock skini...gia tin pragmatiki elliniki rock skini milame,auti tin aneksartiti kai oxi ta pseftoklise me tin masimeni trofi pou mas plasaroune gia elliniko rock .Parathheto edw to teleutaio tmima tis synenteuksis pou eixan dosei sto periodiko-mikro parapente-to 1986,meta tin ihografisi tou underworld shakedown.Lene loipon: .Εγώ πιστεύω ότι έχουν αλλάξει πολλά πράγματα από την εποχή του πανκ, όταν βγήκανε τα συγκροτήματα στην Ελλάδα. Παλιότερα το ροκ στην Ελλάδα πιστεύω ότι δεν είχε πολύ τσαμπουκά. Μετά, το ροκ στην Ελλάδα έγινε κάτι τέτοιο. Δηλαδή, σήμερα, αν κάποιος γουστάρει ν' ακούσει κάτι τέτοιο μπορεί να το ακούσει και πια οι μουσικοί που παίζουνε, όχι όλοι βέβαια, αλλά αυτοί που πιστεύουνε σ' αυτό που κάνουνε επιμένουνε, πράγμα που δεν είχε γίνει στην Ελλάδα παλιότερα... Δηλαδή υπάρχει κάτι, πέσω έστω «ματαιοδοξία», πέστο «κάτι δικό μου» και θα το παίξω. Βέβαια αυτό δεν γίνεται με όλους που παίζουν ροκ. Υπάρχουν και οι άλλοι... αυτοί που λένε ότι «περνάνε με κόκκινο» αλλά τελικά «ζούνε με κόκκινο»... Αν θες ονόματα ένας Γιοκαρίνης, ένας Γερμανός, ένας Σαββόπουλος και τόσοι άλλοι που με το ένα πόδι πατάνε «από εδώ» και με το άλλο «από εκεί» αλλά που τελικά πατάνε μόνο «από εκεί» και με τα δυο τους πόδια... Και φτάνουν, σαν τον Σιδηρόπουλο, να παίρνουν ...

Monday, 20 September 2010

Great Price for $5.94

Hesiod's Theogony (Focus Classical Library) Review




This is a review of Richard S. Caldwell's translation of "Hesiod's Theogony". One of the other reviewers referred to this translation as being a verse translation as opposed to a prose translation. That does not imply the translation is made to rhyme! It means only the verse structure and numbering is maintained. I hope everyone knows that any poem that rhymes in the original language, very rarely rhymes when translated into English unless a lot of artistic license is used. (e.g. Alexander Pope's translation of the Iliad has more to say of Pope's skills as a poet than Homer's.) But, Caldwell does not use any artistic license (although sometimes I wished he had - Hesiod can be a bit cryptic at times). Instead, he has made a very assiduous and close translation, which is extensively (and at times thankfully) annotated.

In my reading I consider Hesiod, alongside Homer, to be a fountainhead from which all later Greek writers flow. It's not a Greek Bible, but it is the earliest full exposition of Greek creation mythology we have today. There are competing versions of some myths, but more often than not, this is the antecedent of many later Greek elaborations.

It's certainly a great work to cut your teeth on because if you can master the full panoply of gods and the tangled network of their relationships as sketched out by Hesiod, then you can hold your own when reading almost any other ancient Greek text. To this end, Caldwell is a very generous guide for leading novices down all those tricky paths. His copious footnotes leave few stones unturned.

Moreover, what I found to be a very gratifying addition to Hesiod was Caldwell's interpretive essay, "The Psychology of the Succession Myth". One reviewer referred to it as "rather simplistically Freudian, but interesting". I read Hesiod and Caldwell's essay before reading this review and I must admit I was worried myself, at first, that Caldwell was plunging into cheap Freudian psychology; but I was pleasantly surprised that he took it into another direction. I personally found the essay to be a very thoughtful and thought-provoking analysis.

The Theogony is full of incest, as most ancient myths are (e.g. the children of Adam and Eve); but Caldwell does not make the Freudian misstep in assuming that that is the natural desire of children. Instead Caldwell treats it as the logical fallacy people would naturally arrive at by extrapolating lines of familial descent, viz. if all cousins can trace their origins to one set of great grandparents, and so on, eventually there is a primordial set of first parents - and inherent in such a situation would be the necessity of incest for the race to multiply. (And also, because incest is a universal and natural taboo, which is always assumed to be negative in some manner for the resulting children, the only way incest is permissible is if the first generations are somehow superior to humans today - be they gods or superhuman like Methuselah.)

Unfortunately for the field of psychology, Freud might have gotten it half right, but he got the other half so terribly wrong that everything he touched is now taken with great suspicion. However, if one does try to think about the human mind at the beginning of its consciousness - for both the individual and for the species - one cannot not help but conclude that humans, _in part_, have little recourse but to metaphorically extrapolate their understanding of their own bodies out onto the world; and Caldwell is very conscious of those constraints, so I would not dismiss his analysis so easily as simplistic Freudianism.

In conclusion, if you are wondering which translation of Hesiod to get, I enthusiastically recommend Caldwell's. His will serve as an excellent resource if you plan on expanding your knowledge of ancient Greek writing because it is a constant source of clarity and illumination when walking the labyrinth of Greek myth.




Hesiod's Theogony (Focus Classical Library) Overview


Hesiod's Theogony, written by legendary author Hesiod, is widely considered to be one of the greatest classic texts of all time. This great classic will surely attract a whole new generation of readers. For many, Hesiod's Theogony is required reading for various courses and curriculums. And for others who simply enjoy reading timeless pieces of classic literature, this gem by Hesiod is highly recommended. Published by Classic Books International and beautifully produced, Hesiod's Theogony by Hesiod would make an ideal gift and it should be a part of everyone's personal library.


Related Products




Update Post: Sep 20, 2010 22:20:27

Sunday, 19 September 2010

The Cosmic Eggs

One of the ancient Seven Wonders of the World is reported (many years after all but the Great Pyramid had vanished) to be the Temple of Artemis in Ephesus. This great goddess has what many archaeologists and historians have interpreted to be nearly a thousand breasts on her body. It is being commented on in this very manner as I type this. The Discovery Channel is interviewing an esteemed Cambridge scholar who looks to know his words are as wise as Solomon. The stupidity of such absurd explanations is not unusual but still it draws a smile from those who know better.

In the past few months I have read over two hundred books in whole or in part and only the authors of Carthage have an idea about the import of these 'cosmic eggs'. They also wonder why the Berbers painted so many ostrich eggs and then threw them in garbage pits, near Cyrenaica. The Keltic serpent's eggs from the Druidic education might provide a little insight. This next quote mentions 'Pelota' which we mentioned in reference to a game that took place at Chichen Itza to prevent unnecessary tribal conflict. It has other meanings and depths relating to life and the passage of the soul that are touched upon in this quote from 'The Mistletoe Sacrament' by W. B. Crow in 'A Celtic Reader' which has been a constant source of mine; for the last ten months as I have explored the origins of the 'Red-Heads' with an obsession some might call mania:

The Druids themselves were known to the Welsh bards by a word that means adders, and Lewis Spence is of the opinion that the ridiculous statements of Pliny really refer to the manner in which the Druids manufacture these eggs. Later bards also refer to a ceremony in which a ball was snatched and carried across the water.

The Druidic custom just mentioned, we cannot help thinking, may have been the origin of the curious mediaeval rite of 'pelota', which took place in certain Catholic churches in France and Italy on Easter Monday. The ceremony consisted in bringing a ball of considerable size into the church and after solemnly presenting it before the altar, certain of the clergy beginning to dance and throwing the ball about in a special manner {It would be good to know if this originated in Mayan lands or if the Druids like Quetzalcoatl and the Toltecs took it there. They are the 'messengers' referred to in many Indian legends like those of Grey Owl.}. The ceremony symbolizes both the passage of the sun and the planets through the heavens and also the vicissitudes of the soul of man (the causal body of the theosophists). In Egyptian mythology the trial of the soul after death is associated with the passage of the sun through the underworld. The whipping of a spinning top, representing Alleluia on the Saturday before Septuagesima, a ceremony not uncommon in this country in former times, is related to this practice.

Madame Blavatsky has some interesting remarks on the connection with the serpent cult {A serpent goes up the side of the pyramid at Chichen Itza in specific ways as the sun and shadows create the effect that the building was re-built to create by the Toltec designers after the original pyramid had been built by the Jaguar cult centuries earlier. Chichen Itza became an international court of the whole of Central America if not more.}, which was at one time widespread and which is still widely practiced in South India. The serpent is a symbol of regeneration {And the orobouros of the alchemists is a serpent holding its tail and making the infinity type of immortality symbol: or the Mayan mathematical concept of zero they are credited with discovering over a century before the people of the sub-continent of India.). Not only does it lay eggs from which new life arises after having been preserved in the dormant state, but the reptile itself sloughs its skin at regular intervals. The initiate, in the ancient mystery religions, went through certain occult processes where his vehicles {Solar body, soul, allies and 'doppelganger' to name a few.} were actually renewed, and in the symbolism thereof cast off his old clothing and was clad in new vestures. What better symbolism than the serpent could be chosen to represent this change in the personality? Besides this, the regeneration by sloughing refers to the regeneration of the physical body by reincarnation and the regeneration of races and worlds of the theosophic cosmogony.

Some primitive peoples, after a death has occurred, perform a ritual in which the performers are divided into two groups and a struggle for the body takes place between the parties. This refers to the struggle between the powers of light and darkness for the spirit o£ the deceased, an eschatological myth of many ancient peoples. In the course of the evolution of this ritual it became a game in which the skull alone was the object of combat or had to be kicked into the goal. The various forms of the game of football and polo, and perhaps other ball games, are supposed to have originated from this, the original religious significance having become lost. The Druidic ritual of snatching an egg and running away until one got over a stream (which acts as the goal) suggests a similar game and connects up with funeral games. The egg or ball is an excellent symbol of the causal body, if one can believe clairvoyants, who see it as a kind of rounded or egg-shaped structure, in fine matter {Similar to ectoplasm as seen in ghosts.} of the higher mental {I would definitely NOT use this word.} plane. After death, according to accounts of occultists, there is a kind of play of forces, good and evil, which do seem to struggle for the possession of the causal body and to determine whether it goes to a good or bad incarnation when next it descends to clothe itself with coarser matter.

The Druid's egg, says Pliny, was unknown to the Greeks {They certainly knew about the Temple of Artemis with all the eggs some current Cambridge scholar thinks is breasts, and Pliny the Roman is not an initiate in the Eleusinian or Cabiri, mysteries, to my knowledge.}. But other kinds of eggs are mentioned in Greek and Hindu mythology, and the consecration of an egg was one of the most important acts in the secret ritual of the Eleusinian mysteries. The Christian Church continued the use of the same symbol, as we see in the so-called Easter eggs, and in the ostrich eggs which are still to be seen hanging in Orthodox Catholic Churches in the East. In fact a whole lecture might be devoted to the symbolism of the cosmic egg."

We must delve into many things this quote engages. In some ways I am squeamish about doing so in this book. I have written about my experiences and research on the stele I found behind the Pelota at Chichen Itza in other books and that makes re-telling the story something redundant. The matter of good and evil and 'Some primitive peoples' this author is talking about is most troublesome. How can I do what millions of philosophers throughout history have been unable to fully explain? It is clear that the Christian church borrowed almost all the supposedly pagan rituals. The communion is admitted by de Vere and Gardner (Genesis of the Grail Kings and the Sarkeny Rend Rosicrucians) to be similar to their earlier adept Count Dracul or 'Vlad the Impaler' and the vampire practices. My experience with exorcisms is extensive enough to know that the Catholic Church takes advantage of some pretty easy situations and makes them a big issue for the purpose of self-promotion. I recommend reading The Devils of Loudon by Aldous Huxley for a documentary trip down that road. The matter of the fight over the soul that sounds like some of Dante Aligheri's "HELL" is not the matter of Druidic cosmogony. It is the tactic of FEAR-mongering by Christianity such as the 'sins and demons' we touched upon in the issue of medical ailments and Paracelsus.

Mr. Sharkey spoke about 'representing each world within the other', as he described the Druids. There was a guided spiritual ritual part to some of what went on at the Pelota in Chichen Itza with the big ball, that goes into the realm of the time-space continuum, and free choice that students of the Nagual's Way from Castaneda might understand that I won't delve into, again. Are there really 'Other Worlds' as the quantum physics 'Many Worlds Interpretation' assures us and Wigner or Schrödinger (Nobel Laureates) say the Mandukya Upanishads describe accurately? Have you read the Tao of Physics by the physicist Fritjof Capra and seen what he says about S-Matrix theory of Math and the 'I Ching'? Believe me this author (Mr. Crow) might have to turn into a raven if his 'whole lecture' would do the trick in explaining the cosmic egg.

We have made it clear the Kelts believed in the afterlife and spirit world or they wouldn't have made loans to be repaid after death. We have said they didn't fear death and that they had no punitive 'unmerciful God. But there are leprechauns and the Fianna of the great ancient Irish king Finn who the Phoenicians liked and named themselves after. So we are caught in this quandary of making seeming conflicting statements come together. We said the spirits might take a child or their energy if the parent let the spirits know the child's name. That doesn't sound like the work of a leprechaun! You have heard about 'witches' and you know we've been defending them, too. You probably wonder if this isn't all 'hocus-pocus' and barbaric things anyway.

There are good people that I know who deny and avoid these facts like they are 'THE PLAGUE'! It isn't going to make your life easier when you open these doors and see the thousands more that await you beyond. Occultists are often 'sophists' or will engage in sophistry too. Who can say what things God might be capable of? Who really believes in such a force anyway? Most people pay lip-service to it. The Kelts we have said (and Admiral Morison ridiculed) were different. Clearly the Phoenicians demanded the greatest personal commitment to their beliefs, at least from their average person or citizen. When their kings are seen having to give their first born to the god Baal (Bel = BL) are they just babel-ing (BBL and later the Bible)? Some of these kings were front men or women and there is adequate proof they did these things, but that doesn't mean they all did it. Carthage had a democratic type of government according to Aristotle and maybe this was the cross kings had to bear like the Keltic practice of burning the leader at the end of their term in office (25 year term, and this made for less fraud and 'cronyism'). This can become pretty barbaric as we have seen with the 'Devoted Ones' but it became a celebration and the forerunner of the 'wake'. That seems proof enough that death was not feared anyMORE than the North American warriors who 'counted coup' feared their 'maker'. So what if all these cultural beliefs are shared across the oceans? What does it matter to you now if you are 'getting yours'? Why 'open a can of worms if you can't close it'?

Maybe we should leave this kind of talk to another book and just point fingers at the church that hides these truths from us. Maybe our happiness and freedom are better under their ministrations. If there are spiritual forces that can mess with us. There is a lot of merit in my concerns about this and there is a law of the Magi that says 'Know, Will, Dare, Keep Silent'. We've already given a lot of places to look for the answers to esoteric questions like these and it might be best to keep this book on the academic level of ethnology or anthropological denial of the reasons and realities that actually', are the nature of everyday life. We could talk about laws and minstrels and make cute poems to amuse the reader and still have done a lot to help people see the culture was no more barbaric than we are. Why did the Druids follow this law and keep so much of their knowledge in 'verbal traditions' such as the Qaballa was made from? Were they really so afraid of this knowledge being abused by unethical or un-disciplined 'posers'? Did they really think their soul would be judged as unworthy of progress if they broke this law? Surely if they could sell the knowledge of shape-shifting and the 'Lost Chord' they could have made life a lot better for a lot of people.

The truth is they could have done anything or had anything they wanted at the point they rose to the highest level. In fact the moral strength to have such knowledge is more important than the mental or chemical knowledge in reference to the 'Stone'. I am sure money and power is a pursuit that blinds people through their ego. This 'blindness' that closes the soul to 'what is' or as Jesus said 'the living father within', will prevent any politico from getting their hands on anything really harmful you might say. That might be true, too. There were some things that they knew which could be abused though, and it was (and is) important to do what is RIGHT. That is another law of the three laws of the Magi. RIGHT THOUGHT=RIGHT ACTION!

He's dodging and waffling, you might say. What about the things this guy said about the battle over the soul when we die? What kind of authority do I have to disagree with occultists like Madame Blavatsky who heralded my favorite teacher Jiddhu Krishnamurti and helped Annie Besant teach him? In the final analysis you might say I'm a person engaging in 'sophistry' and ego too. We know that no one person can really know God or all these things so why read what I have to say? For now I choose to say that we are going to cover the religion of the Druids who were the dominant force in thousands of years of human culture in a later chapter. But I don't want the reader to think the Druids or Kelts were so ego driven or fearful as to worry about spirits capturing their souls once they had grown enough to know their name; they also were 'protected' from the lesser obsessive forces of the limbo or interstitiary state of the spirit world which may possess a soul.

Yes, they had a lot of scary legends and tales about evil acts of mischievous and other forces. Sometimes these tales are like the accounts of war on the friezes or frescoes of the Mayan, who wanted people to know the stupidity of war. Sometimes there were people who needed this motivation to take the time to learn enough to protect themself. In all cases as long as the Druids were still around (before the Roman 'bounties') they had recourse to protection if something really bad occurred. At the same time there was a greater element of 'fate' and 'destiny' in this religion than I think is real. I cannot say for sure that there were people at the highest level who knew better the import of 'free will'. I cannot even be sure what degree or level of free will or 'world mind' existed in their collective unconscious (Jung). There are lots of Celts and people from post Druidic times who write about Druids as if they know them. Some of these people are definitely 'far gone' when it comes to the inevitability of the cyclical nature of the 'forces'. The Etruscans are good examples of this and the Carthaginians who allied with them or were their 'brothers' surely had a lot of that in them too. But that is a time when the macho power-trippers had already made great inroads into the original nature-worshipping culture, too.

The historians have little to go with in the records of history. We often are left with the words of Caesar in the first century BC. to confirm that there were numerous schools of Druidry as the best recorded insight to earlier times. In Gaul the best knowledge seems to go back no further than the fifth century BC. and ornamentation is the hardest proof. Gimbutas has the Old European alphabet that takes us back a long way but many scholars aren't convinced because they don't understand the esoteric symbology. There are those who laugh and point to Stonehenge or Carnac in Brittany, and of course the Pyramid they know it's the work of the Red-Headed League of Megalith Builders. But they can't prove a definite connection to the Druids. At least not in the eyes of those who establish the required standards of proof in the halls of academia. They note that the term 'goddess-worship' or Wicca may not even have existed until the 18th century. We can say the term isn't the point and the records of historians are propaganda.




Author of Diverse Druids
Columnist for The ES Press Magazine
Guest 'expert' for World-Mysteries.com

Saturday, 18 September 2010

Crone at the Crossroads

Ruling over both life and death, the Crone holds within her all aspects of the Triple Goddess. She is the mature and aged Maiden and Mother now possessing the wisdom and experiences of youth, adulthood and old age. She stands at the crossroads, at the bridge between death and rebirth

She makes herself known in the horrifying aspects of our deepest fears, the fears we have yet to face and the mysteries that we have yet to know. She is often portrayed as Kali, holding a sword and a freshly severed head dripping blood. As the story goes, this represents a great battle in which she destroyed the demon Raktabija.

We shudder at the thought of Kali with her bloodlust, but we cannot deny the presence of the Crone. We dread to look her in the eyes but if we could learn to truly face her and in doing so, face our own dark natures, we would see the wisdom of the Ancients.

From death comes rebirth. The cauldron is a symbol of the Crone. The Crone Hecate is often seen with her great black cauldron stirring up brews for magical transformation or bringing the dead back to life. It represents the womb from which all life springs and must return, for the Crone holds within her the greatest mystery of all, the mystery of death and of the afterlife.

The waning moon is the symbol of the Crone. She is the dark moon, the wintertime, old age and knower of mysteries. The Crone time brings the harvest of experience when we reap the accumulated benefits of all that we have learned as the Crone brings patience and wisdom to us all. She is the fairy godmother of folklore, the old woman of the woods who lives alone in a humble cottage and can teach ancient secrets. She is full of the wisdom and experience of life and death, and Autumn and Winter are the seasons of her reign

We know the Crone under many names - one of these is Hekate, Greek goddess of the crossroads. Like the crossroads, she has two quite distinct aspects. In the day she exerts a benign influence on husbandry and farming, but during the hours of darkness she is involved in ghosts, tombs and the afterlife.

As a goddess who retains attributes of the three aspects of the Triple Goddess, Hekate is often seen in triple form. She rules not only over death and the underworld, but over birth and regeneration, combining fertility with death as a power of the earth - a feared and revered figure.

Visual representations of the Crone are usually frightening in appearance. Hekate is most often depicted as having three heads; one of a dog, one of a snake and one of a horse. The Queen of Night is also shown with three heads and six arms but the three heads are the three faces of the Goddess; Persephone (Maiden). Demeter (Mother), and Hekate (Crone).

The Crone comes to all of us, in the end.




Susanna Duffy is a Civil Celebrant, grief counselor and mythologist. She creates ceremonies and Rites of Passage for individual and civic functions.

Friday, 17 September 2010

Interviews with Cast of "Clash of the Titans"

To YouTube: CelebrateGreece.com is an official press outlet for coverage of "Clash of the Titans". Interviews with the Principal Cast Members: Sam Worthington (AVATAR), Liam Neeson, Ralph Fiennes and Greek actress Alexa Davalos (Andromeda). In Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing left to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Leading a daring band of warriors, Perseus sets off on a perilous journey deep into forbidden worlds. Battling unholy demons and fearsome beasts, he will only survive if he can accept his power as a god, defy his fate and create his own destiny. CelebrateGreece.com: In Warner Brothers Studios' follow-up to their blockbuster hit "300", which was a mythologized depiction of a factual event (Battle of Thermopylae), Clash of the Titans is Greek mythology meets The Matrix, complete with Bronze Age mythological heroes fly-kicking their way through Classical Age temples. Scholars will cringe with inaccuracies, but audiences will thrill with action and adventure.

Thursday, 16 September 2010

Great Price for $8.66

Beginning Latin Poetry Reader: 70 Passages from Classical Roman Verse and Drama (Latin Reader Series) Review




This is a great compilation, with selections and notes aimed at intermediate students with a vocabulary of about 750 words. If you've graduated from Wheelock's Latin, or are at any rate close to that standard, this is perfect for you. There is plenty of information on the poetic metres, and some (minimal) background on each of the selections. Thrown in as well are various short essays, for example on book production in Roman times, full translations for all selections, plus a decent vocab section at the back. Everything has been designed for the student who is eager to learn and to appreciate and enjoy the texts. The downside is that, with so many authors selected, the passages from each are short (about 40 lines from Plautus for example). There are, however, about 30 pages from Vergil, all in the form of similarly short snippets (ie. about 40 lines). Personally I prefer longer selections, but that is down to personal taste. You can use the excerpts to build your Latin vocab, and whet your appetite, then get the longer version of your favourites.




Beginning Latin Poetry Reader: 70 Passages from Classical Roman Verse and Drama (Latin Reader Series) Overview


Embrace your Roman muse!

As a learner of Latin, you want to experience the Roman world by reading its writers in their original language. But you may be unsure where to begin in the classical canon or you may worry that your Latin skills are insufficient to tackle authentic texts.

Requiring only a grounding in the basics, Beginning Latin Poetry Reader lets you explore the rich and diverse range of Latin verse, including epics, comedies, satires, lyric poetry, and even graffiti! Inside you'll find seventy selections from authors of the early Republic such as Plautus and Terrance as well as those of the Golden and Silver Ages such as Vergil, Horace, Ovid, and Juvenal--all supported by helpful footnotes and English translations. This book also includes a clear overview of Latin syntax and the metrics of its verse, a glossary of all Latin words found in the readings, and a time line showing the historical and literary context of each author.

Lose yourself in:

  • the sparkling comedies of Plautus
  • the intimate love poetry of Catullus
  • the majestic hexameters of Vergil
  • the elegant lyricism of Horace
  • the refined sensuality of Ovid
  • the compelling satires of Juvenal
  • the bristly epigrams of Martial



Related Products




Update Post: Sep 16, 2010 16:50:13

Wednesday, 15 September 2010

Mourning, Death and the Cypress Tree

Have you ever wondered why you often find cypress trees planted near cemeteries? Certainly they are beautiful trees. Unfortunately these evergreen trees have been associated with death and mourning for over two thousand years. The cypress has a sad history.

The ancient Greeks and Romans believed the cypress tree was the first tree the dead would see when they arrived to the Underworld. This tree was associated with death. It was a symbol of eternal death; because once the cypress tree was cut it would never grow again.

The ancient Greeks and Romans used the wood to make coffins. The ancient Egyptians also used the wood from the cypress tree to make wooden cases for the mummies and coffins. It was told the wood from this tree was not liable for insect attacks.

In the ancient world they believed the tree had a powerful protective force. The cypress was planted near graves to protect the deceased from evil powers. As the soul was considered to be immortal, it was quite important to protect the souls of the dead from wicked spells of potential revenge seekers.

Mourners at funerals of the ancient world would always carry branches of the cypress tree to show their grief. In mythology, the goddess of love named Aphrodite carried a branch from the tree to show she was in mourning when her beloved Andonis died.

The story of how the cypress tree became the tree of death is told in Greek and Roman mythology. It started with a young man named Cyparissus and the god Apollo. They were close friends, some say lovers. Apollo gave Cyparissus a beautiful stag. Cyparissus accidentally killed the stag. He was so devastated and full of remorse, he begged the gods to let his grief endure for all eternity. The gods grew tired of his weeping and granted him that last wish. The gods transformed Cyparissus into a cypress. This tree would always be associated with mourning and eternal death, but also of the immortal soul.

If this is getting too sad and gloomy, you may want to turn to Asia. In the West the tree represents mourning and death. In China the cypress tree symbolizes good health and a long life.




Visit http://www.mysticalnumbers.com and discover how numbers are used in religion, mythology and society.

Tuesday, 14 September 2010

Hades - The Greek Deity

In practically every religion practiced throughout time there is the concept of good and evil. In the case of Hades, the underworld was his domain but was he the embodiment of evil?

Hades - The Greek Deity

Hades is an important term in many cultures. Aside from being the name of Hades, the Greek diety of the underworld, it is also a name given to the underworld itself. Christians have adapted the term "Hades" to mean a place, such as hell, where souls that have fallen from grace reside. While in Greece, Hades originally just meant the name of the diety, eventually, the term "Haidou" (the House of Hades) was shortened to Hades as well, so the name took on the meaning of the Greek Underworld.

Hades' name in Greek literally means "unseen", and it is said that Hades was born of two of the Titans, Chronos and Rhea. Hades had three older sisters, Hestia, Demeter and Hera; he also had two brothers, Poseidon and Zeus. Zeus was the only of his siblings to be born outright, and he caused his father, Chronos, to disgorge the rest of his siblings (he had swallowed them at birth). Together with allies, the six children started the Titanomachy, a war between them and the Titans, in which the Titans lost.

When each of the new deities took their place among the Mount Olympus pantheon, Hades became the ruler of the underworld. He chose a consort, Persephone, and managed to get her to stay with him through trickery. Although Hades was often tricky and wise, he was not really the evil figure some made him out to be in later works. Instead, Hades was often simply passive, and even in some instances helpful to others.

Hades was not only the ruler of the underworld, but of the dead themselves. He held domain over all the deceased souls, and employed demons to help him to keep order. Hades became very angry whenever a soul under his rule tried to leave the underworld, and kept a tight reign on his subjects. Very few mortals were able to pass in and out of Hades' realm, and those who did were all considered heroes. Heracles, Odysseus, Aeneas, Orpheus, Theseus and Psyche were the only ones who managed to survive a trip through the underworld.

While generally seen as evil or horrifying, Hades was really more of a way for ancient Greeks to come to terms with their ideas of death and afterlife. Hades ruled over the Elysian Fields (analogous to Heaven) as well as Tartarus (Hell), so he was not really as similar to the Christian devil as some would make his figure out to be. Instead, he represented a continuation of the soul after the body died.




Richard Monk is with Facts Monk - a site with facts about Greece.

Monday, 13 September 2010

Sunrise and Its Importance in Mythology

Sunrise in one's life depicts the heralding of a new beginning. May it be the clock striking midnight to mark one's birthday or the day of a special occasion, like an anniversary or a wedding. Sunrise brings hope and as a very popular Indian saying goes, "Every night is followed by sunrise", which means that every period of darkness and trouble is followed by a sunrise, which will bring a solution and a time to celebrate.

Sunrise and the Sun Gods have played important roles for centuries through the mythologies of various cultures. The Greek, Chinese, Indians, Egyptians and many more have given the Sun much importance, so let's look at the impact the Sun has had on mankind for centuries depicting its importance to all.

Chinese Mythology

The Chinese believed that there were ten Suns and one used to arrive as the other one used to leave to bathe. There are many versions of this story, but this is how the most popular version goes. This is from the chapter called "The Systems of the Heavens" by Huai-nan Tzu, with a little addition by other scholars of that time. The ten suns used to bathe in the T'iang Valley where the Leaning Mulberry (the tree) stood tall. The nine suns stayed on its lower branches whilst the tenth sun resided on its top branch. Another version goes that in the middle of a great wasteland, there was a mountain called Neih-yao Chun-ti, next to which was the Yang Valley. Next to the Yang Valley was the Leaning Mulberry, which was an old three hundred leagues tall tree with mustard plant leaves. On this tree one sun arrived, borne by a crow (sometimes three legged) as the other sun left. The whole process of sunrise to sunset from Yang (sunny) Valley or Yu Yuans's riverbank to Meng Valley covers Nine Provinces and Seven halts, depicting times during the day.

Greek Mythology

In Greek mythology, Helios personified the sun. The Greek poet Homer often called him only the Titan or Hyperion. He wrote that Helios was the son of the Titans Hyperion and Theia and described him as the brother of the Selene, the goddess of the moon, and of Eos, the goddess of dawn. This is also what is believed to have given birth to the common Greek words for the sun, moon and dawn. Helios was believed to be a handsome god who had a crown of a shining aureole of the sun and he drove the chariot of the sun every day across the sky to the earth after circling Oceanus and then after passing the world ocean, he returned East at night time. It was believed that the chariot of the sun was drawn by solar steeds or fire darting steeds that were later named Phlegon, Aeos, Pyrios and Aethon.

Egyptian Mythology

The God of the sun in ancient Egypt was called Ra (pronounced Rah or sometimes even as Re). He became a major deity by the fifth dynasty and was primarily identified as the mid day sun god, as there were other deities that depicted other positions of the sun. Ra changed over time and soon came to be recognised as the god of all the times of the day. The cult of Ra was based from Heliopolis, which means the City of the Sun. Ra was also later merged with another god, Horus and was called Re-Horakhty. He was believed to command the earth, sky and the underworld. He is associated with the Falcon, which was the symbol of the sun deities and is represented by the sun disc as his symbol.




As said above, Sunrise and the Sun stand for a lot in everyone's life and in today's world you can be unique and gift someone a beautiful sunrise photo to mark a special occasion or to remind them that there is still hope in life. If you are interested, then you can get beautiful photographs from Every Sunrise. For more info about the company and its products, please click here: http://www.everysunrise.com.

http://www.everysunrise.com

Sunday, 12 September 2010

Energy Enhancement Meditation and the Hercules Labour of the Augean Stables

The Twelve Labours Of Hercules Or Heracles Symbolises That Which Is Neccessary On The Path Of Enlightenment

This technique of Energy Circulation and Grounding is referred to in the 12 Labours of Hercules. Ancient teachings taught now in many different cultures, here in the form of a mythical story, thousands of years old, which enable "The Son (Hercules) of God (Zeus or Deus)" to get married to the daughter of the king of the underworld. To integrate the Crown Chakra with the Base Chakra or how to become enlightened.

All ancient myths refer to hidden levels of meditation.

Throughout history, simple stories and symbols containing many levels of psychological meaning have usually not been destroyed by the prevalent Religion as have been the competing religions temples and texts. In particular The Herculean Labour of the cleaning of the Augean stables refers to the cleaning of the Base Chakra with a River of Energy.

The Fifth labour of Hercules.

In the past, psychologists have only worked on one painful experience at a time by providing a meaningful theory by Freud or Jung and then examining the problem. Through understanding the problem, it is released and the client adjusted back into society in his proper place. He may still be neurotic because only one problem has been solved.

The same with ancient lives. We may travel back to, see and fix one life problem in one of our past lives, but what about the other thousands of life-times, each with their own traumas, deaths and problems.

This ancient meditation available in many cultures all over the world, teaches how to remove all of the traumas, deaths and problems as simple negative energy. You do not have to see the problems. They are simply grounded as Negative energy. Learn how to simply, "Ground the last dregs of your VITRIOL!"

There is an ancient Greek myth about Hercules, (a Son of God, Zeus or Deus), wanting to marry Persephone the Daughter of the King of the underworld. The Crown Chakra wanting to combine with the Base Chakra. Shiva combining with Shakti. A Human Being becoming Enlightened.

He needed to ask her father's permission. When he did, her father was pleased to marry his daughter to the son of Zeus, but first he must perform 12 tasks. The 12 labours of Hercules.

The fifth task was to clean out the Kings stables - The Augean stables. Hercules said, "No Problem," but when he saw the stables, he realised what a mountainous task he had taken on. There were thousands of horses and they had been creating manure for hundreds of years. Just like we, ourselves, create and absorb pain and Karma over thousands of lifetimes.

At first, he tried to dig the manure, examining every turd. Just like the psychologists and past life therapists of today. But after one month he had got nowhere. He had only cleared a small hole in a mountain of shit.

After much thought, he then projected to change the course of the river Styx, the river we cross when we die, through the stables. When he did this, the stables were quickly cleaned as the river washed all the manure away.

Deep Rivers of Energy lie hidden deep within us. As we learn to access and then to use them. So, All our History. All our pain can be dissipated and washed away

This story teaches basic methods whereby the mountains of manure within us can be removed, painlessly, without examining every turd.

The whole mountain can gradually be moved and our History painting which has been painted brushful by brushful, day by day, can be returned to the clean white sheet we were when we were born.

We are full of a lot of "History" not only from this life, but also from previous lives. Our ancient guided meditations can truly remove this Personal History so that all painful memories can be dissipated and our energies can then start to flow in their natural courses, once again.

And It's A Painless Process Because these Ancient and Successful meditations work at The Level Of Energy.

It is not enough to pick up one piece of shit and examine it and say "Ah yes, this was the pain I absorbed when my father died. Or in that lifetime when I continued on such a stupid path."

We need to be able to transmute it all!

Also the Labour of Hercules involving the Hydra. As Hercules chopped off one head with his sword another 2 grew back in its place. The Hydra symbolises the mind. Its heads the many negative thoughts we have which need to be dissipated.

The Dragon/Hydra always Symbolises Kundalini Energy.

The method of Energy Circulation is an ancient and hidden technique preserved in Taoism and Hindu Kundalini Kriyas.

It is the most gentle and effective tool for all those who want to increase their energy, their evolution, their genius.

The same energy circulation meditation... "With This Technique, Your Evolution Will Increase With Every Energy Revolution To Create A Revolution In Your Evolution." - Paramahamsa Yogananda On The Kriyas Of Kundalini of India, of Kriya Yoga, of Babaji, the 2000 years old sage in the Himalayas, of Sri Yukteswar and Lahira Mahasaya.

The same energy circulation meditation... The Alchemical Meditations of Hermes Trismegistus from the Emerald tablet or from the Sufi Dun Nun, the Egyptian, he who took, "The Path of Blame" symbolized by the Sufi Naqsbandi Fountain at the Alhambra at Granada in Spain.

The same meditation... The Five Elemental Paths of the Ki of Chinese Alchemical Taoism symbolized by the Yin Yang Symbol.

Ancient and Effective Techniques of Meditation include for the Gaining of More Energy - Meditation, Shaktipat, Energy Circulation, The Kundalini Kriyas, The Five Elemental Paths Of The Chi Of Chinese Alchemical Taoism, The Grounding Of Negative Energies, V.I.T.R.I.O.L and The Art Card Of The Thoth Tarot, Access To Kundalini Energy, Strong Psychic Protection, The Merkaba, Pyramid Protection, Power Tower Protection, the Creation of the Antahkarana, Soul Fusion, Monadic Infusion, Logos Infusion for the Painless Removal Of Stress, Trauma And Negative Emotion.




Director Satchidanand, is one of the leading teachers of Meditation.

He helps people worldwide reach further than they EVER thought possible, FASTER!!! http://www.energyenhancement.org

Saturday, 11 September 2010

Check Out Fabulous and Monstrous Beasts for $5.95

Fabulous and Monstrous Beasts Review







Fabulous and Monstrous Beasts Overview


Throughout time, myths and stories have been full of fantastical beasts, monsters, and legends, some wondrous and some downright scary. Learn about these creatures from around the world in this eye-popping compendium. From fairies and hobgoblins to mermaids, vampires, sea serpents, yetis, and so much more, this book also includes information on the real-life “monsters” behind the myths. Divided into Creatures of the Air, Creatures of the Land, and Creatures of the Water, this collection is packed with dynamic illustrations, photography, and plenty of information to keep readers hooked. Whether it’s ancient creatures or modern monsters, this book is a must have for young fantasy lovers.




Related Products




Update Post: Sep 11, 2010 12:00:14

Thursday, 9 September 2010

Orpheus: The Musical (Part One)

The Saga of Orpheus, in which Orpheus falls in love, gets married, experiences the immense tragedy of his wife dying, braves the terrors of the Underworld, fights for his wife, fails , and returns with terrible grief to Earth. And sings a lot. Better known in foreign countries as... Orpheus: The Musical Songs used: Thriller by Michael Jackson Smooth Criminal by Michael Jackson My Way by Robin Willams Hips Don't Lie by Shakira Crank Dat by Soulja Boy (featuring Travis Barker) Billie Jean by Chris Cornell Where Did You Go? by Ashley Parker Angel It Sucks to be Me from Avenue Q On My Own by the Used Bananaphone by Raffi

Wednesday, 8 September 2010

Great Price for $19.95

Find Your True Self Through Your Fantasies and Dreams Review




Dreams and fantasy are not held back by concern of being mocked. "Find Your True Self Through Your Fantasies and Dreams" is a spiritual exploration manual to finding one's true desires by understanding fantasies and dreams that people experience daily as their mind goes on autopilot. Consciously being aware of these are rare, and author Olavi Moilanen gives method to understanding the unconscious desire. "Find Your True Self Through Your Fantasies and Dreams" is intriguing and highly recommended reading.





Related Products




Update Post: Sep 08, 2010 09:40:13

Tuesday, 7 September 2010

name n thing

NNT hip hop

Monday, 6 September 2010

Dragon Myths and Legends

Much folklore about dragons was believed throughout time. In Egyptian mythology, the god of the underworld, Osiris, is sometimes represented by a dragon. In Greek mythology, dragons are always guarding something or eating someone. In European mythology, a dragon is a serpent-like legendary creature. In both Eastern and Western mythology, the dragon is believed to be responsible for eclipses.

In Bulgarian legend, dragons are three headed, winged beings with snake's bodies. There is also a white dragon, which according to legend can transform into a bird called O-Goncho. The dragon also plays a vital role in Arthurian legend.

In Romanian folklore, even the snake, which in certain conditions, has the ability to turn into a dragon, has a strong malefic meaning. The ancient Greeks and Romans, who revered dragons for their wisdom but feared them for their tremendous powers, shared this belief. Similarly, in the Babylonian creation myth, Tiamat the embodiment of chaos is portrayed as a terrible dragon. This myth is almost as hard to kill as the dragon itself was. For this reason, the dragon symbol is the sign of authority, often being worn on the robes of the Imperial family and nobility.

Dragons have long been considered evil, maiden-stealing, village destroying, fire-breathing beasts. This lead to many brave knights attempting to hunt down and slay dragons, as recounted in many medieval writings. When knights began inventing stories about them defeating such dragons, the dragon and knighthood peak was reached.

Almost every country in the world as some sort of dragon story. Legends and myths are filled with stories of dragons. In European mythology, a dragon is a serpent-like legendary creature. In many legends dragons personify evil, and are vicious beasts who live to wreak havoc and must be pacified by human sacrifice. One of the most feared monsters of the Greeks and Romans was the Hydra, a dragon with multiple heads and poisonous breath.

In fairy tales and in medieval poetry in the Western world dragons are dangerous, untrustworthy creatures. Medieval people liked to scare each other with dragons. All peopel are drawn by the dragon's aura of mystery, its ancient magic, its nobility; its awesome might and power.




Francesca Black has long been a fan of dragons with Dragon Gifts http://www.dragon-gifts.com and http://www.mystical-creatures.com

Sunday, 5 September 2010

Mono No Aware: The Essence of Japan

Mono no aware: the Japanese beauty aesthetic

Meaning literally "a sensitivity to things," mono no aware is a concept describing the essence of Japanese culture, invented by the Japanese literary and linguistic scholar scholar Motoori Norinaga in the eighteenth century, and remains the central artistic imperative in Japan to this day. The phrase is derived from the word *aware*, which in Heian Japan meant sensitivity or sadness, and the word mono, meaning things, and describes beauty as an awareness of the transience of all things, and a gentle sadness at their passing. It can also be translated as the "ah-ness" of things, of life, and love.

Mono no aware gave name to an aesthetic that already existed in Japanese art, music and poetry, the source of which can be traced directly to the introduction of Zen Buddhism in the twelfth century, a spiritual philosophy and practise which profoundly influenced all aspects of Japanese culture, but especially art and religion. The fleeting nature of beauty described by mono no aware derives from the three states of existence in Buddhist philosophy: unsatisfactoriness, impersonality, and most importantly in this context, impermanence.

According to mono no aware, a falling or wilting autumn flower is more beautiful than one in full bloom; a fading sound more beautiful than one clearly heard; the moon partially clouded more appealing than full. The sakura or cherry blossom tree is the epitome of this conception of beauty; the flowers of the most famous variety, somei yoshino, nearly pure white tinged with a subtle pale pink, bloom and then fall within a single week. The subject of a thousand poems and a national icon, the cherry blossom tree embodies beauty as a transient experience.

Mono no aware states that beauty is a subjective rather than objective experience, a state of being ultimately internal rather than external. Based largely upon classical Greek ideals, beauty in the West is sought in the ultimate perfection of an external object: a sublime painting, perfect sculpture or intricate musical composition; a beauty that could be said to be only skin deep. The Japanese ideal sees beauty instead as an experience of the heart and soul, a feeling for and appreciation of objects or artwork--most commonly nature or the depiction of--in a pristine, untouched state.

An appreciation of beauty as a state which does not last and cannot be grasped is not the same as nihilism, and can better be understood in relation to Zen Buddhism's philosophy of earthly transcendence: a spiritual longing for that which is infinite and eternal--the source of all worldly beauty. As the monk Sotoba wrote in *Zenrin Kushū* (Poetry of the Zenrin Temple), Zen does not regard nothingness as a state of absence, but rather the affirmation of an unseen that exists behind empty space: "Everything exists in emptiness: flowers, the moon in the sky, beautiful scenery."

With its roots in Zen Buddhism, *mono no aware* is bears some relation to the non-dualism of Indian philosophy, as related in the following story about Swami Vivekananda by Sri Chinmoy:

*"Beauty," says [Vivekananda], "is not external, but already in the mind." Here we are reminded of what his spiritual daughter Nivedita wrote about her Master. "It was dark when we approached Sicily, and against the sunset sky, Etna was in slight eruption. As we entered the straits of Messina, the moon rose, and I walked up and down the deck beside the Swami, while he dwelt on the fact that beauty is not external, but already in the mind. On one side frowned the dark crags of the Italian coast, on the other, the island was touched with silver light. 'Messina must thank me,' he said; 'it is I who give her all her beauty.'" Truly, in the absence of appreciation, beauty is not beauty at all. And beauty is worthy of its name only when it has been appreciated.*

The founder of *mono no aware*, Motoori Norinaga (1730-1801), was the pre-eminent scholar of the Kokugakushu movement, a nationalist movement which sought to remove all outside influences from Japanese culture. Kokugakushu was enormously influential in art, poetry, music and philosophy, and responsible for the revival during the Tokugawa period of the Shinto religion. Contradictorily, the influence of Buddhist ideas and practises upon art and even Shintoism itself was so great that, although Buddhism is technically an outside influence, it was by this point unable to be extricated.

Meaning literally "a sensitivity to things," mono no aware is a concept describing the essence of Japanese culture, invented by the Japanese literary and linguistic scholar scholar Motoori Norinaga in the eighteenth century, and remains the central artistic imperative in Japan to this day. The phrase is derived from the word aware, which in Heian Japan meant sensitivity or sadness, and the word mono, meaning things, and describes beauty as an awareness of the transience of all things, and a gentle sadness at their passing. It can also be translated as the "ah-ness" of things, of life, and love.

Mono no aware gave name to an aesthetic that already existed in Japanese art, music and poetry, the source of which can be traced directly to the introduction of Zen Buddhism in the twelfth century, a spiritual philosophy and practise which profoundly influenced all aspects of Japanese culture, but especially art and religion. The fleeting nature of beauty described by mono no aware derives from the three states of existence in Buddhist philosophy: unsatisfactoriness, impersonality, and most importantly in this context, impermanence.

According to mono no aware, a falling or wilting autumn flower is more beautiful than one in full bloom; a fading sound more beautiful than one clearly heard; the moon partially clouded more appealing than full. The sakura or cherry blossom tree is the epitome of this conception of beauty; the flowers of the most famous variety, somei yoshino, nearly pure white tinged with a subtle pale pink, bloom and then fall within a single week. The subject of a thousand poems and a national icon, the cherry blossom tree embodies beauty as a transient experience.

Mono no aware states that beauty is a subjective rather than objective experience, a state of being ultimately internal rather than external. Based largely upon classical Greek ideals, beauty in the West is sought in the ultimate perfection of an external object: a sublime painting, perfect sculpture or intricate musical composition; a beauty that could be said to be only skin deep. The Japanese ideal sees beauty instead as an experience of the heart and soul, a feeling for and appreciation of objects or artwork--most commonly nature or the depiction of--in a pristine, untouched state.

An appreciation of beauty as a state which does not last and cannot be grasped is not the same as nihilism, and can better be understood in relation to Zen Buddhism's philosophy of earthly transcendence: a spiritual longing for that which is infinite and eternal--the source of all worldly beauty. As the monk Sotoba wrote in Zenrin Kushū (Poetry of the Zenrin Temple), Zen does not regard nothingness as a state of absence, but rather the affirmation of an unseen that exists behind empty space: "Everything exists in emptiness: flowers, the moon in the sky, beautiful scenery."

With its roots in Zen Buddhism, mono no aware is bears some relation to the non-dualism of Indian philosophy, as related in the following story about Swami Vivekananda by Sri Chinmoy:

"Beauty," says [Vivekananda], "is not external, but already in the mind." Here we are reminded of what his spiritual daughter Nivedita wrote about her Master. "It was dark when we approached Sicily, and against the sunset sky, Etna was in slight eruption. As we entered the straits of Messina, the moon rose, and I walked up and down the deck beside the Swami, while he dwelt on the fact that beauty is not external, but already in the mind. On one side frowned the dark crags of the Italian coast, on the other, the island was touched with silver light. 'Messina must thank me,' he said; 'it is I who give her all her beauty.'" Truly, in the absence of appreciation, beauty is not beauty at all. And beauty is worthy of its name only when it has been appreciated.

The founder of mono no aware, Motoori Norinaga (1730-1801), was the pre-eminent scholar of the Kokugakushu movement, a nationalist movement which sought to remove all outside influences from Japanese culture. Kokugakushu was enormously influential in art, poetry, music and philosophy, and responsible for the revival during the Tokugawa period of the Shinto religion. Contradictorily, the influence of Buddhist ideas and practises upon art and even Shintoism itself was so great that, although Buddhism is technically an outside influence, it was by this point unable to be extricated.




John Gillespie [http://www.srichinmoycentre.org/Members/john_gillespie/blog] is a designer, web developer and video editor who lives in Auckland, New Zealand. A member of the Sri Chinmoy Centre, he uses his practice of meditation as a source of energy and inspiration for his many creative activities. Amongst other activities he produces studies art and contributes to a site about art of Sri Chinmoy http://www.srichinmoyart.com/

Saturday, 4 September 2010

Howard Dean's Big Fat Mouth

"The only time I open my mouth is when I exchange feet . . . man, we've gone from Deep Throat to Dean's throat in the space of one week!"

These and other hilarious comments have been made of the hysterical doctor from Vermont of late who, as DNC Chairman, is determined to make wedge politics a thing of the present Democratic Party in its attempt to widen the already polarized American electorate.

When the likes of Joe Biden, Nancy Pelosi, and Barney Frank say that Dean's remarks regarding people like Tom DeLay are "out of line" and that Dean doesn't represent them when it comes to such blather, then you know that the Dems. have actually elected the likeness of their national chair to match their mascot.

Now, let's probe the wisdom of this lightning rod of rhetoric and why all the fuss--especially concerning his latest gaff.

First of all, Howard Dean "hates Republicans." ("I hate the Republicans and everything they stand for," former Vermont Gov. Howard Dean told Democrats gathered at a Manhattan hotel, in quotes picked up by the New York Daily News. Jan. 29, 2005)

Then after hating this despicable lot he determines that this much hated Republican Party is primarily (like himself) a bunch of "white Christians" ("pretty much a white, Christian party." June 8, 2005).

HISPANICS ARE PART OF THE CONSPIRACY

Now, it only gets better . . . i.e., it's time to exchange feet again! When interviewed by Matt Lauer on the NBC Today Show (June 8, 2005), Lauer asked what Dean thought about 40% of Hispanics voting for Bush in the last election. Mind you, this question was fast on the heels of the comments Dean made about the Republican Party being taken over by Christian conservatives. Dean continued his foot work when he reinforced his "White Christian" remark in response to Lauer's questioning by including Hispanics in on the "conspiracy" of "White Christians." Instead of "going there" and answering Lauer regarding Hispanics and "White Christianity" . . . Dean appeared to reinforce the stereotyping by including Hispanics in on the "White Christian Conspiracy!"

Dean then moved on with these deflections . . .

"'By a series of recent initiatives Republicans have transformed our party into the political wing of the Christian conservatives.' That was written by former Senator John Danforth, one of the most respected people and Episcopalian minister. I think it is true that the Republicans are in fact a largely white Christian party. There's nothing the matter with that, I'm a white Christian myself, but they don't include other folks and this is a very diverse country. In fact, they've gone out of their way to use other kinds of people as scapegoats in order to win elections."

So, it's O.K. that the Republicans have had their party transformed by Christian conservatives (" . . . there's nothing the matter with that . . . (and, oh, yes) . . . I'm a white Christian myself") . . . but Dean points out that while this transformation takes/took place by these conservative Christians, they, nevertheless, exclude "other folks" (e.g., gays, blacks, etc.) from "their party."

Furthermore, these "white Christians" scapegoat these NarDoWells. Interestingly enough, according to CNN/USA Today/Gallup poll data, 82 percent of self-described Republicans are white Christians - but so are 57 percent of Democrats and 67 percent of all Americans. Note: The actual survey can be found HERE. And, all this one week after Dean remarked that many Republicans "have never made an honest living in their lives."

LET'S HAVE A GROUP HUG FOR DEAN

As you can imagine, all this white, fundamentalist Christian bashing (with the Hispanics thrown in as well for target practice), really has provided a great deal of "fun and games" by Democrat watchers . . . actually, guys like Rush Limbaugh have come up with a bizarre explanation for all this regal rhetoric: Hillary Clinton looks moderate compared to Dean and, therefore, is more electable!

However, when your "point man" starts to take severe flack (self-induced) it's time for a "group hug" . . . let's circle the wagons. Thus, was a Thursday (June 9, 2005) evening bash planned to honor the man with the golden tongue.

Party faithful will extol the gift that keeps on giving . . . or does it? As it turns out, big time "donors are upset that the DNC under Dean's stewardship is falling behind in fund-raising, failing to appeal to party high-rollers. In the first quarter of this year, the DNC raised $14.1 million, compared with $32.3 million by the Republican National Committee." (Boston Globe)

Howard appears to have caught the focus of his party in more ways than one . . . and, though the likes of Rush Limbaugh contend he speaks for the soul of the party (which may be correct), he certainly needs to be more coy about his party's intentions . . . badmouthing heartlanders, Red States, and feigning to be both a "white Christian" and, at one time even a "Red Neck," smacks of a stupid, disingenuous, political numbskull whose tour of duty is about to end real soon (probably for financial reasons as well).

WHAT'S THE REAL STORY HERE?

Dabbling in political analysis, especially when it comes to "Christian" comments like those of Dean, that border on blatant racism and extreme stereotyping, is not the exclusive purview of secularists . . . so, let's have a gander. First of all, Dean's remarks truly do reflect his party's philosophical core and anxieties. The intensity of the polarization between secularists and so-called conservative Christians who have seemingly taken over the Republican Party (in appearance only) grows more intense each day.

Public articulation of this national polarization has grown to such a pitch that this type of irrational exuberance is not only tolerated, it is seen by many Democratic faithful as a breath of fresh air! Why not "tell it like it is" . . . we've nothing to lose, since we've little to gain (satisfied as we are with the fringe of Americana Blue and all else red).

Dean's remarks are so "out there" (though they assuredly do not distort the facts . . . i.e., conservative Christians have literally taken over the "external" rein of the Republican apparatus), that there's got to be something else going on here.

There really is a deep-seated fear, even trauma, afflicting scores of Americans who see in this "religious take over" of Republican politics, the final "death throws" of the secular state allegedly envisioned in the Constitution. To them so politically frightened, there is but little hope left; thus, to "break out" in a frontal assault akin to Dean's and simply go for broke is their only alternative . . . letting the chips fall where they may.

To do and/or say nothing would be the greatest of errors--for a future structured by fundamentalist Ayatollahs is not the Hollywood and Broadway of the Left . . . no, no, no . . . it is the worst of worlds; one that would confine and consign the American dream of expressive liberty for all to the trash bin of deviant history.

OF GreekS AND ROMANS (Western Civilization)

Thus, the classical American struggle between the Romans and the Greeks abides--indeed, this is the bane of the West; a house divided. And, like the Romans of old, Empire simply cannot be maintained by the wishy-washy Greeks with their democratic ideals and excesses. No, the artsy-craftsy crowd cannot be trusted to extend the designs of Empire--perhaps to entertain, but never to extend. To despise the religious under girding provided to the Empire by absolutes does great disservice to a most mandatory ingredient for rule and reign . . . once the masses entertain the ethereal world of grays and relativism, we are doomed. Rather to have the likes of Howard Dean demonstrate the absurdity (at best) of Grecian disunity (with all their little city states and the like), opposed to the centrality of dominion wrought alone by the New Rome--no wonder the absolute abandonment and appeal the Papal funeral held for patriotic Americans!

What boggles the minds of high brow sophisticates is the American penchant for all things evil: "Evil Empire," "Axis of Evil." They cringe every time a witch hunt is launched and view our proclivities toward the supernatural struggle of "good and evil" as a national character defect--utterly self-destructive! Yet even they--reluctantly leaping in blind faith--admit (tongue in cheek) that Bush, et al, are driven by the underworld itself in their crusade against the "evil doers." Alas! We've succumbed to the dark side of the force!

These nonchalant "Air America blasphemers" abhor all things Christian Reconstructionist and "other worldly" to be on the verge of idiocy (at best) and downright historically dangerous at its worst--especially in today's tectonic upheavals and their clash of civilizations, arousing one fundamentalist plate (conservative Christianity) against the other fundamentalist plate (radical Islam) until a resultant great quake gyrates the planet off its axis.

It matters little to these Greeks, whose broad brush strokes paint all those who embrace the supernatural in one fell swoop, that glaring nuances exist amongst believers--throw the lot of them out, baby with bath water is O.K. All Romans are nothing more than cultural barbarians bent on explaining the universe in black and white, "for us or against us!"

I am not gyrating all over the page here . . . there is a tension in the West that is built into our very psyche. This tension I have discussed in the past (Of Greeks and Romans); however, the Bible does NOT speak of a revived Grecian Empire or of an incarnate Alexander the Great as Antichrist. It speaks of an end time wherein the earth will once again see the glory that was Rome--much to the chagrin of Howard Dean, Michael Moore, and Al Franken. It hails a Caesar who will one day countenance the warlike thought to go forth conquering and to conquer until the Kings of the East and the forces of Western Empire collide in a supernova of cataclysmic rage: Armageddon. Much of our writings detail the biblical dimensions of the aforesaid--this article is not designed to substantiate these apocalyptic profundities; however, be aware, they are unalterable and designed to rattle the effete cage of Greeks, and ultimately Romans.

The persistence of this Babylonian tension--this Greco-Roman ordeal--is but a sidebar to the real intensions of the spirit of Antichrist who is already in the world, awaiting his day of full revelation and embodiment. Reminiscent of Germany's Cabaret Society and its anti-Hitlerian sarcasms, the comedians of the American Left predict their own demise--a striking resemblance to a time just prior to its prototype's extinction, as Nazism purged Germany of such corruptible levels of Aryan society. Of primary interest to us is the overt role that Christians of faith have taken in the eyes of the world, of the Greeks among us--how easy it is to see the great majority of believers descend into the darkness of an apostate system of State-sponsored patriotism gone amok.

The seeds of intense spite have been sown long ago wherein the children of darkness are at great odds with the children of light; however, when apostasy reigns, as it assuredly does in today's America, then are we obliged to consider the ultimate demise of all fallen religion, especially the so-called Christian religion, when the State shall turn against her moral covering--having adjudged her use as pitiful and contemptuous:

"And the ten horns which you saw on the beast, these will hate the harlot, make her desolate and naked, eat her flesh and burn her with fire . . . and the woman whom you saw is that great city which reigns over the kings of the earth" (Revelation 17:16 & 18).

The story of Jezebel and King Ahab, of Church/State apostasy, is absolutely in view in this prophetical unfolding of end time's carnage. "These ten" are the ten toes, horns and kings of Nebuchadnezzar's Image. These are destined to turn against the apostate whore who rides the political Beast of the Last Days . . . the head of all the ten heads of a Revived Rome.

Friends . . . what you are witnessing in Howard Dean's asinine remarks (be very clear) are naught but the whining of a wimpish Greek who knows full well that only Rome can sustain and expand the insatiable quest for Empire--economic, political, and (yes), religious! Only Rome's military machine can avert the collapse of the New World Order . . . yes, perpetual, incessant war is the only means by which Empire can be secured . . . yet, does it not bring about Pax Romana, the "Peace of Rome?"

YOU'RE OUR ONLY HOPE

Each day brings us closer--closer to His coming, His direct intervention into the affairs of history when "all eyes shall see Him." Jesus did NOT paint a rosy picture concluding earth's present dispensation; but He did offer everlasting hope to those attentive to "look up, for your redemption draws nigh!"

May the good Lord enable us all to see the futility of these political machinations and the subterfuge embedded in their endless posturing--none of which give the promise of the life to come, nor of present grace to sustain, as the forces of darkness gather for that fateful day. Our gaze is upon Him Who alone provides all we'll ever need.

I know that a diatribe on Howard Dean is hardly the place to reflect upon the words of A. B. Simpson, that great saint whose missionary zeal launched the Christian and Missionary Alliance. Yet, how rare it is to hear his resounding encouragements amidst the vain prattling filling our media today:

Once it was the blessing, Now it is the Lord;

Once it was the feeling, Now it is His Word;

Once His gift I wanted, Now, the Giver own;

Once I sought for healing, Now himself alone.

Once it was my working, His it hence shall be;

Once I tried to use Him, Now He uses me;

Once the pow'r I wanted, Now the Mighty One;

Once for self I labored, Now for Him alone.

The polarization among "White Chistians" is incessant . . . this is what we see and hear . . . but the changeless utterances of men and women who "know their God" are capable of speaking into our generation . . . these are the ones we need to hear!

Links/graphics on this article can be found at http://www.the-tribulation-network.com/dougkrieger/howard_dean.htm




Doug Krieger is a writer for The Last Days Network/The Tribulation Network...a group of evangelicals throughout the nation committed to bringing news and commentary on Religion in Politics. The group's committment is decidedly evangelical and contends that biblical prophecy is relevant in today's highly charged religio-political environment here in America. Nuances within the "eschatological community" run deep...triggering a wide variety of responses to "How Shall We Then Live" in modern society. Coupled with their eschatological analysis on current events, the LastDaysNetwork/TribNet speak out forcefully on the current "Apostasy and Deception" afflicting the Body of Christ. Why is it that "Religion and Politics" are such a taboo subject zone? To the contrary, Americans have a vastly different demographic than their European counterparts. Post-Christian Europe has little understanding of what makes American Religion and Politics tick...The LastDaysNetwork does and decidedly devotes extensive writing to the topic.